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Matinée de Septembre (English: September Morn) is a controversial oil painting on canvas completed in 1911 by the French artist Paul Émile Chabas.Painted over several summers, it depicts a nude girl or young woman standing in the shallow water of a lake, prominently lit by the morning sun.
In 1974 Seymour Slive listed the painting as the pendant of A Man Holding a Skull and claimed then that despite cleaning of the coat of arms and recent documents the provenance was still inconclusive, and he read the inscription as "aeta suae 31", leading him to conclude the woman was aged 31 at marriage rather than 37. [2]
Girls in the Windows. Girls in the Windows is a 1960 photograph by Ormond Gigli (died 2019). It depicts 41 colorfully dressed women standing in the windows of a brownstone building on East 58th Street on the Upper East Side of Manhattan, and two other women on the sidewalk near a Rolls-Royce car.
Christina's World is a 1948 painting by American painter Andrew Wyeth and one of the best-known American paintings of the mid-20th century. It is a tempera work done in a realist style, depicting a woman in an incline position on the ground in a treeless, mostly tawny field, looking up at a gray house on the horizon, a barn, and various other small outbuildings are adjacent to the house. [1]
The Bar (painting) A Bar at the Folies-Bergère; The Bathers (Renoir) Bathers with a Turtle; The Bathers (Cézanne) Beatrice Hastings in Front of a Door; The Beauty; Beijing 2008 (painting) The Beloved (Rossetti) Berlin Street Scene; Bertha Wegmann Painting a Portrait; Bharat Mata (painting) The Black Brunswicker; Black Woman with Child
Portrait of a Woman Standing (Kassel) is a painting by the Dutch Golden Age painter Frans Hals, painted in 1618–1620 and now in Gemäldegalerie Alte Meister (Kassel). It is considered a pendant portrait to the Portrait of a Man Standing , in the same museum.
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The Source depicts a nude woman standing in front of a stream of water. In the painting the woman is reaching into the stream while it is flowing unto her arms. The identity of the woman in the painting is unknown. There was some speculation on whether or not the woman had previously modeled for Courbet.