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The harpsichord stop levers are laid out in the conventional fashion on either side of the name-board, with the organ stops being placed at either side of the keyboards with a coupling mechanism to the organ at the front of the harpsichord. [7] The organ case is also fitted with four foot-levers; three at the front of the organ and one at the ...
Harpsichord building was often considered a lesser side job for organ builders, while some few were specialized in either harpsichord or clavichord building. [ 1 ] Note that in the German speaking world the harpsichord was only one of several instruments referred to as clavier, and keyboard instruments seem to have been used more ...
This organ console, made in Salzburg in 1707, shows the short octave system in its keyboard permitting the range to extend down to C; see text for details. The short octave was a method of assigning notes to keys in early keyboard instruments ( harpsichord , clavichord , organ ), for the purpose of giving the instrument an extended range in the ...
"Enharmonic keyboard" is a term used by scholars in their studies of enharmonic keyboard instruments (organ, harpsichord, piano, [4] harmonium and synthesizer) with reference to a keyboard with more than 12 keys per octave. Scholarly consensus about the term's precise definition currently has not been established. [citation needed]
Like a pipe organ, a harpsichord may have more than one keyboard manual [b] and even a pedal board. Harpsichords may also have stop levers which add or remove additional octaves. Some harpsichords may have a buff stop, which brings a strip of buff leather or other material in contact with the strings, muting their sound to simulate the sound of ...
Much keyboard music of the Late-Medieval and Renaissance was often played interchangeably on organ, harpsichord, clavichord and the like, with the exception of liturgical music (Mass, Magnificat and Latin hymns versets, chorale settings, etc.) which are thought to have been played primarily on the organ.
An organ pipe, or a harpsichord string, designated as eight-foot pitch (8′) is sounded at standard, ordinary pitch. [1] For example, the A above middle C in eight-foot pitch would be sounded at 440 Hz (or at some similar value, depending on how concert pitch was set at the time and place the organ or harpsichord was made).
Keyboard accompaniments (e.g. harpsichord or organ) were meant to be spontaneously realized from the figured bass notation, the performer filling in the harmonic sketch as he went along. [31] [32] J.S. Bach wrote: Figured bass is the most perfect foundation of music.