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"Giant Steps" is a jazz composition by American saxophonist John Coltrane. [1] It was first recorded in 1959 and released on the 1960 album Giant Steps. [2] The composition features a cyclic chord pattern that has come to be known as Coltrane changes. The composition has become a jazz standard, covered by many artists.
Giant Steps is a studio album by the jazz musician John Coltrane. It was released in February 1960 through Atlantic Records. [1] [2] [4] This was Coltrane's first album as leader for the label, with which he had signed a new contract the previous year. The record is regarded as one of the most influential jazz albums of all time.
AllMusic awarded the album 4.5 stars, with reviewer Bob Rusch stating: "This set was particularly inventive; it was Coltrane's music, but it drinks of its own spirit. You won't listen for the familiar Trane solos, but you will listen!" [3] The Penguin Guide to Jazz wrote in 1996 that it was "one of the finest piano-trio albums of the last 20 ...
At the end of this period, Coltrane recorded Giant Steps (1960), his first released album as leader for Atlantic that contained only his compositions. [37] The album's title track is generally considered to have one of the most difficult chord progressions of any widely played jazz composition, [38] eventually referred to as Coltrane changes. [39]
Coltrane continued his explorations on the 1960 album Giant Steps and expanded on the substitution cycle in his compositions "Giant Steps" and "Countdown", the latter of which is a reharmonized version of Eddie Vinson's "Tune Up". The Coltrane changes are a standard advanced harmonic substitution used in jazz improvisation.
"Naima" (/ n aɪ ˈ iː m ə / ny-EE-mə) is a jazz ballad composed by John Coltrane in 1959 that he named after his then-wife, Juanita Naima Grubbs. Coltrane first recorded it for his 1959 album Giant Steps, and it became one of his first well-known works.
Solo Piano (1975) Solo ... "Giant Steps/Everything I Have Is Yours/Where Is the Love (Reprise)" (John Coltrane/Burton Lane, Harold Adamson/MacDonald, Salter) – 8:38;
"Mr. P.C." is a twelve-bar jazz piece in minor blues form, composed by John Coltrane in 1959. The song is named in tribute to the bass player Paul Chambers, [1] who had accompanied Coltrane for years. It first appeared on the album Giant Steps, where it was played with a fast swing feel. [2]