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  2. Giant Steps - Wikipedia

    en.wikipedia.org/wiki/Giant_Steps

    Giant Steps is a studio album by the jazz musician John Coltrane. It was released in February 1960 through Atlantic Records. [1] [2] [4] This was Coltrane's first album as leader for the label, with which he had signed a new contract the previous year. The record is regarded as one of the most influential jazz albums of all time.

  3. Giant Steps (composition) - Wikipedia

    en.wikipedia.org/wiki/Giant_Steps_(composition)

    "Giant Steps" is a jazz composition by American saxophonist John Coltrane. [1] It was first recorded in 1959 and released on the 1960 album Giant Steps. [2] The composition features a cyclic chord pattern that has come to be known as Coltrane changes. The composition has become a jazz standard, covered by many artists.

  4. Giant Steps (Tommy Flanagan album) - Wikipedia

    en.wikipedia.org/wiki/Giant_Steps_(Tommy...

    AllMusic awarded the album 4.5 stars, with reviewer Bob Rusch stating: "This set was particularly inventive; it was Coltrane's music, but it drinks of its own spirit. You won't listen for the familiar Trane solos, but you will listen!" [3] The Penguin Guide to Jazz wrote in 1996 that it was "one of the finest piano-trio albums of the last 20 ...

  5. Coltrane changes - Wikipedia

    en.wikipedia.org/wiki/Coltrane_changes

    Coltrane continued his explorations on the 1960 album Giant Steps and expanded on the substitution cycle in his compositions "Giant Steps" and "Countdown", the latter of which is a reharmonized version of Eddie Vinson's "Tune Up". The Coltrane changes are a standard advanced harmonic substitution used in jazz improvisation.

  6. Naima - Wikipedia

    en.wikipedia.org/wiki/Naima

    "Naima" (/ n aɪ ˈ iː m ə / ny-EE-mə) is a jazz ballad composed by John Coltrane in 1959 that he named after his then-wife, Juanita Naima Grubbs. Coltrane first recorded it for his 1959 album Giant Steps, and it became one of his first well-known works.

  7. Sheets of sound - Wikipedia

    en.wikipedia.org/wiki/Sheets_of_sound

    The "three-on-one chord approach" gave the music a fluid, sweeping sound that was harmonically vertical. [7] Concepts of vertical (chordal) versus horizontal (melody) are key ideas in the work of George Russell, whom Coltrane had recorded with in September 1958. [9] This approach reflected Coltrane's fascination with third relations. Sometimes ...