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Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]
Color theory, or more specifically traditional color theory, is a historical body of knowledge describing the behavior of colors, namely in color mixing, color contrast effects, color harmony, color schemes and color symbolism. [1] Modern color theory is generally referred to as color science.
Color science is the scientific study of color including lighting and optics; measurement of light and color; the physiology, psychophysics, and modeling of color vision; and color reproduction. It is the modern extension of traditional color theory .
The following is a partial list of notable theoretical physicists. Arranged by century of birth, then century of death, then year of birth, then year of death, then alphabetically by surname. For explanation of symbols, see Notes at end of this article.
There are many color perceptions that by definition cannot be pure spectral colors due to desaturation or because they are purples (mixtures of red and violet light, from opposite ends of the spectrum). Some examples of necessarily non-spectral colors are the achromatic colors (black, gray, and white) and colors such as pink, tan, and magenta.
Color meaning is either based in learned meaning or biologically innate meaning. The perception of a color causes evaluation automatically by the person perceiving. The evaluation process forces color-motivated behavior. Color usually exerts its influence automatically. Color meaning and effect has to do with context as well. [12]
Pages in category "Color scientists" The following 38 pages are in this category, out of 38 total. This list may not reflect recent changes. A. William de Wiveleslie ...
Color vision became an important part of contemporary analytic philosophy due to the claim by scientists like Leo Hurvich that the physical and neurological aspects of color vision had become completely understood by empirical psychologists in the 1980s. An important work on the subject was C. L. Hardin's 'Color for Philosophers,' which ...