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MIDI and audio full DAW, simple user interface, flexible MIDI editing. MusE: Linux: GPL-2.0-or-later: Piano roll, event list: Open source midi and audio work station with support for VST, DSSI, LADSPA and LV2. MuseScore: Linux, macOS, Windows, iOS (partial) GPL-2.0-only: Werner Schweer Score: Music notation software with full MusicXML support ...
LMMS (formerly Linux MultiMedia Studio [6]) is a digital audio workstation application program.It allows music to be produced by arranging samples, synthesizing sounds, entering notes via computer keyboard or mouse (or other pointing device) or by playing on a MIDI keyboard, and combining the features of trackers and sequencers.
This input may originate from an external MIDI keyboard or from a MIDI sequencing program. An organ is constructed using a set of recorded sample files in conjunction with an XML configuration file that defines organ parameters, such as ranks, stops, manuals, coupling and organ images for display in Hauptwerk's user interface.
Oramics (1957) controls sounds by graphics on films. Variophone (1930) by Evgeny Sholpo—on earliest version, hand drawn waves on film or disc were used to synthesize sound, and later versions were promised to experiment on musical intonations and temporal characteristics of live music performance, however not finished.
A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control, and possibly audio and automation data for digital audio workstations (DAWs) and plug-ins.
This could be as simple as a mouse and keyboard or as sophisticated as a piano-style MIDI controller keyboard or automated audio control surface for mixing track volumes. [6] The computer acts as a host for the sound card, while the software provides the interface and functionality for audio editing.
Human User Interface Protocol (commonly abbreviated to HUI) is a proprietary MIDI communications protocol for interfacing between a hardware audio control surface and digital audio workstation (DAW) software. It was first created by Mackie and Digidesign in 1997 for use with Pro Tools, and is now part of the Mackie Control Universal (MCU) protocol.
A lack of MIDI-out capability limits the use of external MIDI instruments. There is also only limited support for messages sent from knobs on MIDI keyboards, as only real-time pitch bend, modulation, sustain, and foot control are recognizable. However, since GarageBand '08, other parameters affected by MIDI knobs can be automated later, per-track.