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This article lists songs of the C vs D "mash-up" genre that are commercially available (as opposed to amateur bootlegs and remixes).As a rule, they combine the vocals of the first "component" song with the instrumental (plus additional vocals, on occasion) from the second.
Film Song Composer(s) Writer(s) Co-singer(s) Ref. Hum Dil De Chuke Sanam "Kaipoche" Ismail Darbar: Mehboob Kotwal: Shankar Mahadevan, Jyotsna Hardikar, Damayanti Bardai [6]"Tadap Tadap"
Punjabi Dance Mashup "Punjabi Dance Mashup" The Landers, Gippy Grewal, Sunidhi Chauhan, Simar Dardi, Parmish Verma, Preet Harpal 2021 Thodi Si Raat Nashe "Thodi Si Raat Nashe" 2021: Shava Ni Girdhari Lal "Gori Diyan Jhanjhran" Jatinder Shah: 2022: Ni Main Sass Kutni "Ni Main Sass Kutni"
[11] [12] Analysing the film's music during the 25th anniversary, Suanshu Khurana of The Indian Express, said that the soundtrack came at a time when Hindi film music during the early-1990s being "uninspiring" with Aashiqui (1990), Saajan (1991), Deewana (1992), Jo Jeeta Wohi Sikandar (1992), Roja (1992) and Hum Aapke Hain Koun..!
Hindi film songs, more formally known as Hindi Geet or Filmi songs and informally known as Bollywood music, are songs featured in Hindi films.Derived from the song-and-dance routines common in Indian films, Bollywood songs, along with dance, are a characteristic motif of Hindi cinema which gives it enduring popular appeal, cultural value and context. [1]
A. R. Rahman made his debut in Indian Music Industry with the 1992 Tamil film Roja.In his three decade long career, he has composed and produced original scores and songs for more than 145 films in various languages, namely Tamil, Hindi, Telugu, Malayalam, English, Persian and Mandarin.
Name Years active Languages 32Stitches: 2016–present English Alphons Joseph: 2003–present Malayalam, Tamil, Telugu, Kannada, Hindi Ash King: 2009–present
A mashup (also mesh, mash up, mash-up, blend, bastard pop [1] or bootleg [2]) is a creative work, usually a song, created by blending two or more pre-recorded songs, typically by superimposing the vocal track of one song seamlessly over the instrumental track of another and changing the tempo and key where necessary. [3]