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"Rap God" is a song by American rapper Eminem. The song premiered via YouTube on October 14, 2013, and was released in the United States on October 15, 2013, as the third single from Eminem's eighth studio album, The Marshall Mathers LP 2 (2013). It contains references to previous conflicts in Eminem's career, as well as to other rappers' conduct.
The song's title refers to Eminem's "Rap God" and Eminem went into the studio days later to record his own response, [462] as did former D12 associate Bizarre. [463] [464] Eminem responded with "Killshot" on September 14 [465] and Bizarre's "Love Tap" was released on September 20. [466] "Killshot" garnered 38.1 million streams on YouTube in its ...
According to a set of calculations done by a Genius contributor and confirmed by the website, Eminem's verse on the song out-performs his 2013 song "Rap God" in rapping speed by about 9.7 syllables per second. On "Majesty", Eminem raps 123 syllables in about 12 seconds—about 10.3 syllables per second—, while he spits 157 syllables in 16.3 ...
In August 2013, Eminem released the single "Berzerk" which debuted number 3 on the Billboard Hot 100 and preceded his eighth studio album The Marshall Mathers LP 2. The album spawned the singles "Survival", which was showcased during the Call of Duty: Ghosts reveal trailer, [4] "Rap God", and "The Monster" featuring Rihanna.
"Nice Guy" is a song by American rapper Eminem and Canadian singer Jessie Reyez from the former's tenth studio album Kamikaze, released on August 31, 2018, via Shady Records. Produced by Fred Ball and Symbolyc One with additional production by Eminem, recording sessions took place at Effigy Studios in Detroit. Despite never being released as a ...
Eminem made a last-minute appearance at tonight’s rally for the Kamala Harris-Tim Walz campaign, introducing former President Barack Obama at an event in his native Detroit. The rapper took the ...
"Calm Down" is a hip hop song. It features two lengthy verses by each rapper, both preceded by a chorus. The instrumental is produced by Scoop DeVille and is based around a sample of the introductory horns from the 1992 House of Pain song "Jump Around" (which themselves are taken from Bob & Earl's 1963 track "Harlem Shuffle").
Scattered between the countless provocations are explanations designed to make dim people feel smart and slow ones feel quick-witted as he seems to be under the impression that his childish bars might fly over his listeners' heads", mentioning the song's lyrics concerning the meaning of the word "gay" as an example. [2]