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The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Tim Follin composed the title song using a two-chord progression from "Tequila" by rock and roll group The Champs, as two guitar chord samples could fit within the memory limitations. [95] "Lead" instruments, such as an electric guitar and harmonicas, were made from simple waveforms, with the guitar's waveform being identical to a square. [96]
"Satin Doll" is a jazz standard written by Duke Ellington and Billy Strayhorn with lyrics by Johnny Mercer. [1] Written in 1953, the song has been recorded by Ella Fitzgerald , Carmen McRae , Billy Eckstine , Nancy Wilson , Bobby Short , and many other vocalists.
More recent toys include dolls, such as Chatty Cathy (1959), Charmin' Chatty (1963), Talking Tamu (1970), Look Around Crissy (1972), Sky Dancers (1994), and Sheriff Woody (from the Toy Story franchise), that have a pullstring built into them that activates a speaker when it is pulled, causing the doll to say a built-in phrase.
"Doll Parts" is a song by American alternative rock band Hole, written by vocalist and rhythm guitarist Courtney Love. The song was released as the band's sixth single and second from their second studio album, Live Through This , in November 1994 to accompany the band's North American tour.
They were stuffed black dolls with red pants, red bow ties and wild hair, reminiscent of the blackface minstrel shows of the time. The cakewalk was a dance or a strut, and the dancer with the most elaborate steps won a cake ("took the cake"). The piece is a ragtime with its syncopations and banjo-like effects.
Steffanee Wang of Nylon described the song as having "a banging guitar line and crashing waves of drums and vocals". In a publication by Complex , Wisp described how her long-standing love for listening to music led to her becoming an "active participant" when she recorded "Your Face", the first song she'd ever written, over her friend's ...
Poupée de son can also mean "doll of sound" or "song doll" – France Gall could be said to be the doll through which Gainsbourg channels his sounds. The song's reference to the doll under a "sun of blond hair," exactly like Gall's own, is one of the song's self–references. As Sylvie Simmons wrote in Serge Gainsbourg: A Fistful of Gitanes: