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The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic tableware. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from Qing dynasty ...
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The willow pattern, said to tell the sad story of a pair of star-crossed lovers, was an entirely European design, though one that was strongly influenced in style by design features borrowed from Chinese export porcelains of the 18th century. The willow pattern was, in turn, copied by Chinese potters, but with the decoration hand painted rather ...
Favourite patterns were the "worm sprig" and the "Tournai sprig" introduced by Billingsley at Pinxton, the Dresden-inspired "Berlin china edge", and the blue transfer willow pattern and blue dragon pattern. [9] During the 1830s the factory initiated the practice of applying a light transfer printed blue outline, to guide the painters.
The Willow Pattern may refer to: Willow pattern, a distinctive and elaborate chinoiserie pattern used on ceramic tableware; The Willow Pattern (opera), a comic opera by Basil Hood and Cecil Cook; The Willow Pattern (novel), a 1965 detective novel by Robert van Gulik
The bulk export wares of the 18th century were typically teawares and dinner services, often blue and white decorated with flowers, pine, prunus, bamboo or with pagoda landscapes, a style that inspired the willow pattern. [26] They were sometimes clobbered (enamelled) in the Netherlands and England to enhance their decorative appeal. [27]
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A 20th century version of The Willow Pattern, a typical Staffordshire Potteries product in blue and white transfer printed earthenware. Thomas Minton (1765–1836) was an English potter. He founded Thomas Minton & Sons in Stoke-on-Trent, Staffordshire, which grew into a major ceramic manufacturing company with an international reputation.