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The eponymous Blue Willow plate, a gift from her great-grandmother, is the prized possession of Janey Larkin, the young daughter of a migrant worker family. The Blue Willow pattern comes to represent Janey's dream of a permanent home.
In addition to the china produced for distribution as premiums to Larkin customers, Buffalo Pottery produced many lines of semi-vitreous china, including Deldare Ware, Roosevelt Bears, and Abino Ware, as well as the first Blue Willow dinnerware manufactured in the United States. [4] These wares were distributed via wholesale and retail channels.
A 20th century version of The Willow Pattern, a typical Staffordshire Potteries product in blue and white transfer printed earthenware. Thomas Minton (1765–1836) was an English potter. He founded Thomas Minton & Sons in Stoke-on-Trent, Staffordshire, which grew into a major ceramic manufacturing company with an international reputation.
The origin and explanation of the phrase are unclear. Some blue-plate specials are served on divided plates. Etymologist Michael Quinion cites a dictionary entry indicating that the blue plates were, more specifically, inexpensive divided plates that were decorated with a "blue willow" or similar blue pattern, such as those popularized by the more expensive Spode and Wedgwood.
Favourite patterns were the "worm sprig" and the "Tournai sprig" introduced by Billingsley at Pinxton, the Dresden-inspired "Berlin china edge", and the blue transfer willow pattern and blue dragon pattern. [9] During the 1830s the factory initiated the practice of applying a light transfer printed blue outline, to
The bulk export wares of the 18th century were typically teawares and dinner services, often blue and white decorated with flowers, pine, prunus, bamboo or with pagoda landscapes, a style that inspired the willow pattern. [26] They were sometimes clobbered (enamelled) in the Netherlands and England to enhance their decorative appeal. [27]