Search results
Results From The WOW.Com Content Network
This template should be placed at the top of each article for William Shakespeare's individual sonnets (e.g. Sonnet 1).It provides navigation to the previous and next sonnets in the sequence, a place for an image from the 1609 Quarto with caption, and houses the full text of the sonnet with verse structure apparatus and citation.
Template documentation This template's initial visibility currently defaults to autocollapse , meaning that if there is another collapsible item on the page (a navbox, sidebar , or table with the collapsible attribute ), it is hidden apart from its title bar; if not, it is fully visible.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate
This category contains a selection of articles about the 154 individual sonnets written by William Shakespeare. For more information see Shakespeare's Sonnets Poetry portal
[[Category:Shakespeare templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:Shakespeare templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code's last character.
When discussing or referring to Shakespeare's sonnets, it is almost always a reference to the 154 sonnets that were first published all together in a quarto in 1609. [1] However, there are six additional sonnets that Shakespeare wrote and included in the plays Romeo and Juliet, Henry V and Love's Labour's Lost.
An anthology of 20 poems collected and published by William Jaggard that were attributed to "W. Shakespeare" on the title page, only five of which are considered authentically Shakespearean. The Phoenix and the Turtle: 1601 A Lover's Complaint: 1609 Shakespeare's Sonnets: 1609 A Funeral Elegy: 1612 No longer attributed to Shakespeare by most ...
Shakespeare's funerary monument. The sonnets of Petrarch and Shakespeare represent, in the history of this major poetic form, the two most significant developments in terms of technical consolidation—by renovating the inherited material—and artistic expressiveness—by covering a wide range of subjects in an equally wide range of tones.