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Lamberto Vera Avellana NA February 12, 1915 – April 25, 1991) was a prominent Filipino film and stage director.Despite considerable budgetary limitations that hampered the post-war Filipino film industry, Avellana's films such as Anak Dalita and Badjao attained international acclaim.
Child of Sorrow (Tagalog: Anak Dalita; subtitled The Ruins) is a 1956 Philippine crime drama-tragedy film directed by Lamberto V. Avellana from a story and screenplay written by Rolf Bayer, with Estrella Alfon and T. D. Agcaoili as story consultants. [1]
Pages in category "Films directed by Lamberto V. Avellana" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. B.
Badjao: The Sea Gypsies is a 1957 Philippine adventure drama film directed by National Artist Lamberto V. Avellana. The film was written by Rolf Bayer and stars Rosa Rosal, Tony Santos, Sr., Leroy Salvador, Vic Silayan, and Pedro Faustino. It tells a love story between Hassan, a Badjao man and Bala Amai, a Tausug woman whose differences were ...
In 1965, it was adapted into a black-and-white English-language film [1] with the same title by Filipino director, Lamberto V. Avellana [17] The film [18] was produced by Manny de Leon under his production company Diadem. Cinematography was by Mike Accion, music was by Miguel Velarde.
The film consists of a layered narrative and lots of shades of gray. A palace intrigue meets the corporate mechanism of a criminal enterprise to gain more profit.
In 2007, he was awarded posthumously the Lamberto Avellana Memorial Award by the Film Academy of the Philippines. Conde's eldest son, Jun Urbano (a.k.a. Manuel Conde, Jr.), became himself a film director, actor, producer and writer. He is better known as Mr. Shooli in a television comedy series Mongolian Barbecue.
Eric Oteyza de Guia (born October 3, 1942), better known as Kidlat Tahimik ("Silent Lightning"), is a film director, writer and actor whose films are commonly associated with the Third Cinema movement through their critiques of neocolonialism.