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[1] [2] For example, G major and G minor have the same tonic (G) but have different modes, so G minor is the parallel minor of G major. This relationship is different from that of relative keys, a pair of major and minor scales that share the same notes but start on different tonics (e.g., G major and E minor).
Keyboard works (Klavierwerke) by Johann Sebastian Bach traditionally refers to Chapter 8 in the BWV catalogue or the fifth series of the New Bach Edition, [1] both of which list compositions for a solo keyboard instrument like the harpsichord or the clavichord.
Compositions in G major (2 C, 161 P) Compositions in G minor (1 C, 131 P) Compositions in G-sharp minor (11 P) Pages in category "Compositions by key"
The Partita for keyboard No. 2 in C minor, BWV 826, is a suite of six movements written for the harpsichord by Johann Sebastian Bach. It was announced in 1727, [ 1 ] issued individually, and then published as Bach's Clavier-Übung I in 1731.
C major both opens and closes the set. In Prelude No. 2, the cycle of keys appears twice; in the first cycle, the number of bars per key ranges from 1 to 8; in the second half, after C every new key signature lasts for only one bar; the cycle concludes with 15 bars of C major.
Serenade in C major; Sextet (Dohnányi) Six moments musicaux (Schubert) Solace (Joplin) Sonata for Two Violins (Prokofiev) Sonata in C major for keyboard four-hands, K. 19d; Sonata in C major for piano four-hands, D 812 (Schubert) Sonata in C major for piano four-hands, K. 521; Sri Lanka Matha; Ständchen, D 889 (Schubert) State Anthem of the ...
For example, the secondary triad on the sixth degree [submediant] of the scale of C major, a-c-e, or rather c-e-a, is a Tonic 'parallel,' and has a Tonic significance, because the chord represents the C major 'klang,' into which the foreign note a is introduced.
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