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"Arthur McBride" – an anti-recruiting song from Donegal, probably originating during the 17th century. [1]"The Recruiting Sergeant" – song (to the tune of "The Peeler and the Goat") from the time of World War 1, popular among the Irish Volunteers of that period, written by Séamus O'Farrell in 1915, recorded by The Pogues.
The usage of "moonshine" instead of "poitín" suggests that the song may have originated in America. However, there is no definitive proof of the song's provenance. [3]: 134–5 Irish actor Liam Redmond believed it was an "American drinking song". [4]: 100–1 The song was a staple for Delia Murphy throughout her career.
Carrickfergus" is an Irish folk song, named after the town of Carrickfergus in County Antrim, Northern Ireland. The Clancy Brothers ' 1964 album titled " The First Hurrah! " includes this title. A somewhat differing version was released under the name "The Kerry Boatman", by Dominic Behan on an LP called The Irish Rover , in 1965.
This upbeat song by Irish band, The Corrs, landed on the Billboard Hot 100 in 2001 and remains a popular radio staple with its infectious beat and ear-worm lyrics.
Lily of the West" is a traditional British and Irish folk song, best known today as an American folk song, [1] [2] it is listed as number 957 in the Roud Folk Song Index and has a Laws Number of P27. The American version is about a man who travels to Louisville and falls in love with a woman named Mary, Flora or Molly, the eponymous Lily of the ...
To kill the one that I love best I then take out my silver dagger And pierce it in my tender breast Saying goodbye Catie, goodbye darling I'll die for the one that I love best I'll then take up his bloody dagger And pierce it in my lily white breast Saying goodbye Catie, goodbye darling I'll die for the one that I love best
"There's No One as Irish as Barack O'Bama" is a humorous folk song written in 2008 by the Irish band Hardy Drew and the Nancy Boys [1] (later known as the Corrigan Brothers), and set to a tune derived from a traditional air.
It has no Irish nexus and is melodically altogether different from the one in the Stevenson/Moore compilation. The Rivals remained in the active theatre repertoire until at least 1668 and Locke's melody is an obvious candidate for having been the one sung during its performance. Flood cautions against confusing it with the traditional melody ...