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Depiction of a performance of the Mystery Play of Saint Clement in Metz during the Middle Ages.. Mystery plays and miracle plays (they are distinguished as two different forms although the terms are often used interchangeably [1]) are among the earliest formally developed plays in medieval Europe.
The Croxton Play of the Sacrament is the only surviving English Host miracle play. [1] The play centers around the abduction of a Eucharistic Host by a group of Jewish men, and the series of miracles that lead to their conversion of Christianity .
Despite this, a play cycle was performed in 1568 and the cathedral paid for the stage and beer as in 1562. They were performed in 1572 despite a protest by a minister. [6] One edition of the plays begins with "The Banes which are reade beefore the beginninge of the playes of Chester, 4 June 1600". Each play ends with "Finis.
The Valenciennes Passion Play. Morality plays emerged as a distinct dramatic form around 1400 and flourished until 1550. One notable example is The Castle of Perseverance which depicts mankind's progress from birth to death. Though Everyman may possibly be the best known of this genre, it is atypical in many ways.
The staging of this play likely required two sets. It is suggested that the first stage is composed of Mak's house. In Mak's house, many of the farcical actions occur (for example, this is the location of where the sheep was "born"). The other stage is where the holy manger and the religious iconography would occur.
The play was written in Middle English during the Tudor period, but the identity of the author is unknown. Although the play was apparently produced with some frequency in the seventy-five years following its composition, no production records survive. [1] There is a similar Dutch-language morality play of the same period called Elckerlijc.
Adams believed the play to have been written by an author from the East Midlands, to be performed at stations in a small village on 25 January, that being the Festival of the Conversion of St. Paul. [2] And while A. M. Kinghorn has it that the play was performed in a fixed locality and was the responsibility, not of the town's guilds, but of ...
The plays were organised, financed and performed by the York Craft Guilds ("Mystery" is a play on words, representing a religious truth or rite, and its Middle English meaning of a trade or craft). The wagons were paraded through the streets of York, stopping at 12 playing stations, designated by the city banners.