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The cartoon of Saint Anne, the Virgin and the Child Jesus is part of the Christian iconographic theme of the "Trinitarian Saint Anne", in which the Child Jesus, his mother Mary and his grandmother Anne are depicted together. [5] The painting of The Virgin and Child with Saint Anne was Leonardo da Vinci's first work to depict the subject. [6]
The cartoon is sometimes still known as the "Burlington House Cartoon", a title once used frequently in reference to the building of the Royal Academy which housed the drawing. In 1962, the cartoon was put up for sale with an asking price of £800,000 (equivalent to £21,557,404 in 2023). [ 12 ]
Michael stands on top of the devil with one leg while holding up his spear to deliver a strike to his head. His wings are depicted open while the devil's are closed, signifying defeat. The ideal figures that he would create were done so not to overpower the image, but with grace and reservation.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
It is first attested in Mark 8:33, where Jesus is addressing Peter; this is retold in Matthew 16:23 (Greek: Ὕπαγε ὀπίσω μου, Σατανᾶ, Hypage opisō mou, Satana). In the temptation of Jesus , in Matthew 4 and Luke 4:8 , Jesus rebukes "the tempter" (Greek: ὁ πειραζῶν, ho peirazōn) or "the devil" (Greek: ὁ ...
Pages in category "Drawings of the Crucifixion of Jesus" The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes .
Scientists have re-created what they believe Jesus looked like, and he's not the figure we're used to seeing in many religious images. Forensic science reveals how Jesus really looked Skip to main ...
[Michael] is always represented by the ecclesiastical Byzantine painters as a young warrior of surpassing beauty, standing on the body of an old dead man, with wings expanded, and holding a flaming sword in his right, and a pair of scales in his left hand, in order to show that with the first he took his soul, and with the second he weighs the ...