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The Symphony No. 6 in F major, Op. 68, also known as the Pastoral Symphony (German: Pastorale [1]), is a symphony composed by Ludwig van Beethoven and completed in 1808. One of Beethoven's few works containing explicitly programmatic content, [2] the symphony was first performed alongside his fifth symphony in the Theater an der Wien on 22 December 1808 in a four-hour concert.
Symphony No. 6 (Beethoven) in F major (Op. 68, Pastoral) by Ludwig van Beethoven, 1802–08 Symphony No. 6 (Bentoiu) (Op. 28, Culori ) by Pascal Bentoiu , 1985 Symphony No. 6 (Branca) (Op. 95, Devil Choirs at the Gates of Heaven ) by Glenn Branca , 1989
File:Ludwig van Beethoven - symphony no. 6 in f major 'pastoral', op. 68 - i. allegro non troppo.ogg Add languages Page contents not supported in other languages.
Pages in category "Symphonies by Ludwig van Beethoven" The following 12 pages are in this category, out of 12 total. This list may not reflect recent changes .
The Beethoven concert of 22 December 1808 was a benefit concert held for Ludwig van Beethoven at the Theater an der Wien in Vienna that featured the public premieres of Beethoven's Fifth and Sixth Symphonies, the Fourth Piano Concerto and the Choral Fantasy.
Symphony No. 3, Op. 83 Franz Lachner: Symphony No. 2, Op. 44 (by 1839) [26] Rued Langgaard: Symphony No. 5 "Nature of the Steppe" (Two versions are available) Symphony No. 7 "By Tordenskjold in Holmen Church" (Two versions are available) Symphony No. 8 "Memories at Amalienborg" (1926–45) Symphony No. 9 "From Queen Dagmar's City" (1942) George ...
The Symphony No. 5 in C minor, Op. 67, also known as the Fate Symphony (German: Schicksalssinfonie), is a symphony composed by Ludwig van Beethoven between 1804 and 1808. It is one of the best-known compositions in classical music and one of the most frequently played symphonies, [1] and it is widely considered one of the cornerstones of western music.
At one point in the movement Beethoven uses a melody that sounds vaguely like a quotation from the folk song "Zu Lauterbach". [1] This seems subjective/unencyclopedic to me and moreover has no cited reference source. If there is evidence that Beethoven knew the tune and was inspired by it in writing the Sixth Symphony, then it should go back in.