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The first movement, [c] in C ♯ minor and alla breve, is written in modified sonata-allegro form. [22] Donald Francis Tovey warned players of this movement to avoid "taking [it] on a quaver standard like a slow 12 8 ". [19] The movement opens with an octave in the left hand and a triplet figuration in the right.
The first sonata remains far less performed than the second and the two sonatas are not commonly performed together. They are named so for their only loose adherence to the sonata form. The first movement of both sonatas are slow and lacking in full sonata form. The second movements are scherzos. The sonatas differ in structure in the third ...
The second theme of the first movement closely resembles part of the first, so that in the recapitulation the first theme can be omitted entirely without its absence being noticed. One of the main characteristics of Beethoven's thought is evident in this sonata : the development of a multitude of contrasting motifs and characters from a basic cell.
The substantial first movement Allegro moderato presents most of the thematic material and motifs revisited in the later movements. Juxtaposed in the intro is a motif revisited throughout the movement: a quiet, questioning fifth answered by a defiant authentic cadence, followed by a solemn chord progression. This densely thematic expression is ...
In music, a sonata (/ s ə ˈ n ɑː t ə /; pl. sonate) [a] literally means a piece played as opposed to a cantata (Latin and Italian cantare, "to sing"), a piece sung. [1]: 17 The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance.
The second movement is a set of variations on a disjunct, chordal theme which is marked "La prima parte senza replica" (first part without repeats). The form of the music is Theme with Three Variations. It seems about to end quietly, like the first and last movements, but then concludes abruptly with a crashing fortissimo C major chord.
Two measures after the melody sets in, an abrupt run features the same notes, only one octave higher, like the cadenza in the sonata's third movement (Presto agitato). The climax on a 6 4 chord is similar in both pieces. [2] Additionally, the Fantaisie-Impromptu ' s middle part and the second movement of the Moonlight Sonata are in D ♭ major.
File:Beethoven Moonlight 1st movement.ogg: 6:00 First Movement created in MIDI and played on a digital piano. Not Featured File:Beethoven Moonlight 2nd movement.ogg: 2:05 Second Movement created in MIDI and played on a digital piano. Featured File:Beethoven Moonlight 3rd movement.ogg: 6:55 Third Movement (Presto agitato) created in MIDI and ...