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Laurel and Hardy were a British-American comedy team during the early Classical Hollywood era of American cinema, consisting of Englishman Stan Laurel (1890–1965) and American Oliver Hardy (1892–1957). Starting their career as a duo in the silent film era, they later successfully transitioned to "talkies".
Laurel and Hardy officially became a team the following year with their 11th silent short film, The Second Hundred Years (1927). [5] The pair remained with the Roach studio until 1940. [ 6 ] Between 1941 and 1945, they appeared in eight features and one short for 20th Century Fox and Metro-Goldwyn-Mayer . [ 7 ]
Laurel and Hardy is a 1966–1967 American animated television series and an updated version of Stan Laurel and Oliver Hardy's comedic acts by the animation studio Hanna-Barbera and Larry Harmon Productions. [2] Harmon had been developing the series since 1961, while Stan Laurel was still alive, although Laurel had very little involvement. [3] [4]
Babes in Toyland is a Laurel and Hardy musical Christmas film released on November 30, 1934. The film is also known by the alternative titles Laurel and Hardy in Toyland, Revenge Is Sweet (the 1948 European reissue title), and March of the Wooden Soldiers (in the United States), a 73-minute abridged version.
In May 1954, Hardy had a heart attack and cancelled the tour. In 1955, they were planning to do a television series called Laurel and Hardy's Fabulous Fables based on children's stories. The plans were delayed after Laurel had a stroke on 25 April 1955, from which he recovered. But as the team was planning to get back to work, Hardy had a major ...
The Hoose-Gow (1929). Stan Laurel and Oliver Hardy find themselves embroiled in a comedic misadventure upon their arrival as new inmates at a prison, purportedly implicated in a hold-up raid, an assertion they vehemently deny to a prison officer, claiming mere bystander status.
In the end, the dying dog tried to comfort her distraught owner.
The final pants-ripping scene is not funny just because so many men lose their pants, but because Laurel and Hardy come up with inventive ways to pull more innocent bystanders into the fray." [ 4 ] Writing in the 1960s, The Films of Laurel and Hardy author William K. Everson appraised the film, saying "The boarding house [dinner] is a charming ...