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Boundary microphone (Audio-Technica ATM87R) A boundary microphone (or pressure zone microphone) is one or more small omnidirectional or cardioid condenser mic capsule(s) positioned near or flush with a boundary (surface) such as a floor, table, or wall. The capsule(s) is/are typically mounted in a flat plate or housing.
The Electro-Voice RE20 is an American professional cardioid dynamic microphone, commonly used in broadcasting applications since 1968. Designed by Electro-Voice using the company's patented Variable-D technology and a large-diaphragm element, it has been described as an industry standard "iconic" microphone for its natural sound and its wide ...
Jose Feliciano with two MD 421 microphones (for vocals and guitar) in 1970. With a diaphragm diameter of 27 millimeters (1.1 in), the MD 421 is classified as a large-diaphragm microphone. Its wide frequency response (30–17,000 Hz ± 3 dB) exceeded the former Hi-Fi standard and came close to the performance of condenser microphones.
The Shure SM58 is a professional cardioid dynamic microphone, commonly used in live vocal applications. Produced since 1966 by Shure Incorporated, it has built a reputation among musicians for its durability and sound, and is still the industry standard for live vocal performance microphones.
Print/export Download as PDF; Printable version; ... Help. Pages in category "Condenser microphones" The following 7 pages are in this category, out of 7 total. ...
The microphones should be as similar as possible, preferably a frequency-matched pair of an identical type and model. The result is a realistic stereo field that has reasonable compatibility with mono playback. Since the cardioid polar pattern rejects off-axis sound, less of the ambient room characteristics are picked up.
Instrumental use of microphones has been developed by many experimental composers, musicians and sound artists. They use microphones in unconventional ways, for example by preparing them with objects, moving them around or using contact microphones to colour the sound and be able to amplify otherwise very silent sounds.
The U47 was the first condenser microphone switchable between cardioid and omni-directional pick-up patterns. It incorporated the highly successful 12- micron -thick M7 capsule and VF-14 tube amplifier, which was a metal-clad pre-World War II pentode changed to work as a triode .