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Lloyd Allayre Loar (1886–1943) was an American musician, instrument designer and sound engineer. He is best known for his design work with the Gibson Mandolin-Guitar Mfg. Co. Ltd. in the early 20th century, [ 3 ] including the F-5 model mandolin and L-5 guitar .
Vivi-Tone was a musical instrument company formed in partnership by former instrument designer for Gibson Guitar Corporation, Lloyd Loar, Lewis A. Williams, and Walter Moon. The company was incorporated in Kalamazoo, Michigan on November 1, 1933, with executive offices in Detroit . [ 1 ]
The F-5 is a mandolin made by Gibson beginning in 1922. Some of them are referred to as Fern because the headstock is inlaid with a fern pattern. The F-5 became the most popular and most imitated American mandolin, [1] and the best-known F-5 was owned by Bill Monroe, the father of bluegrass music, who in turn helped identify the F-5 as the ultimate bluegrass mandolin.
Loar designed the flagship L-5 archtop guitar and the Gibson F-5 mandolin that was introduced in 1922, before leaving the company in 1924. [21] In 1936, Gibson introduced its first "Electric Spanish" model, the ES-150 , followed by other electric instruments like steel guitars , banjos and mandolins .
Bill Monroe, the "Father of Bluegrass," used a Lloyd Loar-signed Gibson scroll-top F5 mandolin, making it the reference standard for bluegrass mandolinists. Monroe's F5 is now in the Country Music Hall of Fame. [103]
Joseph Brent with a 1924 Gibson F5 Mandolin (one made by Lloyd Loar). The Lloyd Loar mandolins are popular because early Bluegrass musician, Bill Monroe, used one to get his distinctive sound. Bluegrass mandolin is a style of mandolin playing most commonly heard in bluegrass bands.
The American luthier Orville Gibson specialized in mandolins, and is credited with creating the archtop guitar. [6] The 20th-century American luthiers John D'Angelico and Jimmy D'Aquisto made archtop guitars. Lloyd Loar worked briefly for the Gibson Guitar Corporation making mandolins and guitars. His designs for a family of arch top ...
1924 Gibson F-5 mandolin, with f-shaped soundholes designed by Lloyd Loar 1921 Gibson A4 mandolin At the very end of the 19th century, a new style, with a carved top and back construction inspired by violin family instruments began to supplant the European-style bowl-back instruments in the United States.