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He created fifty different block-printed wallpapers, all with intricate, stylised patterns based on nature, particularly upon the native flowers and plants of Britain. His wallpapers and textile designs had a major effect on British interior designs, and then upon the subsequent Art Nouveau movement in Europe and the United States.
This was followed by Gothic art inspired papers in earth tones with stylized leaf and floral patterns. William Morris was one of the most influential designers of wallpaper and fabrics during the latter half of the Victorian period. Morris was inspired and used Medieval and Gothic tapestries in his work. Embossed paper were used on ceilings and ...
At the end of the Restoration (1814–1830) and during the Louis-Philippe period (1830-1848), Gothic Revival motifs start to appear in France, together with revivals of the Renaissance and of Rococo. During these two periods, the vogue for medieval things led craftsmen to adopt Gothic decorative motifs in their work, such as bell turrets ...
The ball-flower (also written ballflower) is an architectural ornament in the form of a ball inserted in the cup of a flower. It came into use in the latter part of the 13th century in England and became one of the chief ornaments of the 14th century, [ 1 ] in the period known as Decorated Gothic .
The Nature of Gothic by John Ruskin, printed by William Morris at the Kelmscott Press in 1892 in his Golden Type inspired by the 15th-century printer Nicolas Jenson. This chapter from The Stones of Venice was a sort of manifesto for the Arts and Crafts movement.
As with his wallpapers other textiles, his inspirations were most often flowers, plants and animals found in English gardens. [ 13 ] One particularly notable design was the Bullerswood carpet, was made in 1889 for the wool trader John Sanderson, who had a country residence called Bullerswood in Chislehurst , Kent .
The International Gothic style, which appeared in the first half of the 15th century, was the final form of European Gothic, which borrowed from French, Dutch and German artists, and influenced the English style. German engraving and Flemish painting of the period had a particular influence on stained glass, not only in England but across Europe.
A fleuron is a flower-shaped ornament, [1] and in architecture may have a number of meanings: It is a collective noun for the ornamental termination at the ridge of a roof, such as a crop, finial or épi. It is also a form of stylised Late Gothic decoration in the form of a four-leafed square, often seen on crockets and cavetto mouldings.