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Swing to Bop: An Oral History of the Transition in Jazz in the 1940s (1987) Hennessey, Thomas J. From Jazz to Swing: African-Americans and Their Music, 1890–1935 (1994). Schuller, Gunther. The Swing Era: The Development of Jazz, 1930–1945 (1991) Spring, Howard. "Swing and the Lindy Hop: Dance, Venue, Media, and Tradition".
'40 s Junction is a commercial-free music channel on the Sirius XM Radio platform, broadcasting on channel 71; as well as Dish Network channel 6071. The channel mainly airs big band, swing, and hit parade music from 1936 to 1949, with occasional songs from the early-1950s.
Several factors led to the demise of the swing era: the 1942–1944 musicians' strike from August 1942 to November 1944 (the union that most jazz musicians belonged to told its members not to record until the record companies agreed to pay them each time their music was played on the radio), the earlier ban of ASCAP songs from radio stations ...
Bing Crosby was the leading figure of the crooner sound as well as its most iconic, defining artist. By the 1940s, he was an entertainment superstar who mastered all of the major media formats of the day, movies, radio, and recorded music. Other popular singers of the day included Cab Calloway and Eddie Cantor.
Arthur Bernard Leaner (June 30, 1908 – September 6, 1978), who was known professionally as Al Benson, was an American radio DJ, music promoter and record label owner in Chicago between the 1940s and 1960s. He was particularly significant for his promotion of rhythm and blues music and black involvement in the recording industry in Chicago. [1]
Some swing era musicians, like Louis Jordan, later found popularity in a new kind of music, called "rhythm and blues", that would evolve into rock and roll in the 1950s. [1] Bebop emerged in the early 1940s, led by Charlie Parker, Dizzy Gillespie, Thelonious Monk, and others.
James Robert Wills (March 6, 1905 – May 13, 1975) was an American Western swing musician, songwriter, and bandleader. Considered by music authorities as the founder of Western swing, [1] [2] [3] he was known widely as the King of Western Swing (although Spade Cooley self-promoted the moniker "King of Western Swing" from 1942 to 1969).
The Be-bop revolt over Swing music was a sea change that was instrumental in the creation of Black Appeal radio stations. He was a fixture on the air in Chicago during the 1950s and 1960s, influencing Civil Rights and the black experience thru his on-air presence and having a large following of modern Jazz enthusiasts in that venue. [7]