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Folklore lets people escape from repressions imposed upon them by society. Folklore validates culture, justifying its rituals and institutions to those who perform and observe them. Folklore is a pedagogic device which reinforces morals and values and builds wit. Folklore is a means of applying social pressure and exercising social control.
Native American cultures are rich in myths and legends that explain natural phenomena and the relationship between humans and the spirit world. According to Barre Toelken, feathers, beadwork, dance steps and music, the events in a story, the shape of a dwelling, or items of traditional food can be viewed as icons of cultural meaning.
The fairy tale, told orally, is a sub-class of the folktale. Many writers have written in the form of the fairy tale. Many writers have written in the form of the fairy tale. These are the literary fairy tales, or Kunstmärchen . [ 14 ]
No one's sure exactly why this woman had a story to tell, because this woman lived as many as 6,000 years ago. We can still imagine her intoning scary scenes with foreign howls. A charming man's buttery voice might've won over a reluctant, longhaired princess; a beguiling forest creature's dry cackle a smoke signal for danger.
A traditional Kyrgyz manaschi performing part of the Epic of Manas at a yurt camp in Karakol. Oral tradition, or oral lore, is a form of human communication in which knowledge, art, ideas and culture are received, preserved, and transmitted orally from one generation to another.
Some claim that author Roger D. Abrahams perpetuated these in his book Afro-American folktales. He pushed the point that African-American folklore is an "immoral reflection" of African religions and "animal tales are a reflection of African's childlike mannerisms". [7] African-American folklore was predominantly used for guidance and protection.
Juho Nätti (1890–1964), known as Nätti-Jussi, was a Finnish lumberjack known for telling tall tales; his stories have also circulated as folk tales and been collected in books. The Life of Gargantua and of Pantagruel (16th century) by the French writer François Rabelais told the tale of two giants; father and son.
A representative sampling of Japanese folklore would definitely include the quintessential Momotarō (Peach Boy), and perhaps other folktales listed among the so-called "five great fairy tales" (五大昔話, Go-dai Mukashi banashi): [3] the battle between The Crab and the Monkey, Shita-kiri Suzume (Tongue-cut sparrow), Hanasaka Jiisan (Flower-blooming old man), and Kachi-kachi Yama.