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Persson wrote the lyrics to the song at an airport while waiting for a plane. She later said that the song is "quite a sad love song; the meaning of it is quite pathetic, really." [8] She also added that "the biggest hits are the ones that are the easiest to write". [9] She said that, at the time, the song "was slower and more of a bossa nova ...
By the Victorian era, ballad had come to mean any sentimental popular song, especially so-called "royalty ballads". [20] Some of Stephen Foster 's songs exemplify this genre. By the 1920s, composers of Tin Pan Alley and Broadway used ballad to signify a slow, sentimental tune or love song, often written in a fairly standardized form.
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [2] [3] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Coming off the high energy of last year—which featured a surplus of pop, disco, and rock albums—it seems as if artists are ready to take a step back and reflect on the not-so-sunny parts of ...
You can go from a jazzy number that spells out letters (like “L-O-V-E” by Nat King Cole) to a rock hit that breaks down the true meaning of love (like “I Want to Know What Love Is” by ...
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A teenage tragedy song is a style of sentimental ballad in popular music that peaked in popularity in the United States in the late 1950s and early 1960s. Lamenting teenage death scenarios in melodramatic fashion, these songs were variously sung from the viewpoint of the dead person's romantic interest, another witness to the tragedy, or the dead or dying person.
These songs contain some of the singer-songwriter’s most biting lyrics, the kind that twist the emotional knife into anyone’s heart. Swift’s eleventh studio album is no different.