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Bhinneka Tunggal Ika included in the National emblem of Indonesia, the Garuda Pancasila. Bhinneka Tunggal Ika is the official national motto of Indonesia.It is inscribed in the national emblem of Indonesia, the Garuda Pancasila, written on the scroll gripped by the Garuda's claws.
In Kelantan, Peninsular Malaysia, a similar figure is set up in the local iteration of the performance known as the pohon beringin ("banyan"). [3] [4] The beringin is often displayed in the beginning and the end of the performance symbolizing "a world loaded with lives...in the water, on the land and in the air".
Kidung is a form of Old Javanese poetry. They differ from kakawin in that they use Javanese meters instead of imported Sanskrit ones, and mostly appeared later. The subject matter is based on historical events.
Indonesian slang vernacular (Indonesian: bahasa gaul, Betawi: basa gaul), or Jakarta colloquial speech (Indonesian: bahasa informal, bahasa sehari-hari) is a term that subsumes various urban vernacular and non-standard styles of expression used throughout Indonesia that are not necessarily mutually intelligible.
Joglo in Yogyakarta circa 1908. Joglo is a type of traditional vernacular house of the Javanese people (Javanese omah).The word joglo refers to the shape of the roof. In the highly hierarchical Javanese culture, the type of roof of a house reflects the social and economic status of the owners of the house; joglo houses are traditionally associated with Javanese aristocrats.
The saka guru of a Javanese mosque. The saka guru construction is employed in buildings that are constructed with a joglo-type or tajug-type (pyramidal) roofs.The joglo-type roof is reserved for the houses of the nobility, while the tajug-type roof is used to support sacred buildings such as mosques or temples.
The Bijak of Kabir. Bijak is a compilation of verses and hymns attributed to Kabir, a 15th-century Indian mystic poet and saint. The term "Bijak" translates to "Seedling" or "The Seed" in Hindi, symbolizing the essence of Kabir's teachings. The text is central to the Kabir Panth, a spiritual movement that follows his philosophy.
As an example, ṛ, i, u are basic (zero-grade) vowels, with corresponding guṇa (full-grade) vowels ar, e, o and vṛddhi (lengthened-grade) vowels ār, ai, au. (This is more understandable once it is realized that, at an earlier stage of development, Sanskrit e and o were ai and au , and Sanskrit ai and au were āi and āu .)