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A Witness Tree is a poetry collection by Robert Frost, most of which are short lyric, first published in 1942 by Henry Holt and Company in New York. The collection was awarded the Pulitzer Prize for Poetry in 1943.
Robert Lee Frost (March 26, 1874 – January 29, 1963) was an American poet. Known for his realistic depictions of rural life and his command of American colloquial speech, [2] Frost frequently wrote about settings from rural life in New England in the early 20th century, using them to examine complex social and philosophical themes.
Following the success of North of Boston in 1914, Henry Holt and Company republished A Boy's Will in 1915, becoming the first edition of the book published in the United States. [3]: 13 The New York Times said in a review, "In republishing his first book after his second, Mr. Robert Frost has undertaken the difficult task of competing with ...
Marjorie Torrey Chanslor (née Hood; November 10, 1888/1891 [1] – September 1, 1964) [2] was an American illustrator and writer of children's books. She also wrote two mystery novels for adults under the name Torrey Chanslor and published under the name Torrey Bevans .
Marjorie Husted (née Child; April 2, 1892 – December 23, 1986) [1] was an American home economist and businesswoman who worked for General Mills and was responsible for the success and fame of the brand character Betty Crocker. Husted wrote Betty Crocker's radio scripts and was her radio voice for a time.
Leo Dillon (March 2, 1933 – May 26, 2012) and Diane Dillon (née Sorber; born March 13, 1933) were American illustrators of children's books and adult paperback book and magazine covers. One obituary of Leo called the work of the husband-and-wife team "a seamless amalgam of both their hands". [ 3 ]
New Hampshire is a 1923 poetry collection by Robert Frost, which won the 1924 Pulitzer Prize for Poetry. [1]The book included several of Frost's most well-known poems, including "Stopping by Woods on a Snowy Evening", [2] "Nothing Gold Can Stay" [3] and "Fire and Ice". [4]
A key element of Ryerson's art that sets her apart from similar artists, is that she tends to portray the children in paintings alone, without the presence of a maternal figure. [6] Margery Ryerson chose to depict children independently in pictures, partly from Robert Henri’s teachings that kids could be the subjects of paintings just as much ...