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Gyanendriya is the organ of perception, the faculty of perceiving through the senses. The first five of the seventeen elements of the subtle body are the "organs of perception" or "sense organs". [2] According to Hinduism and Vaishnavism there are five gyanendriya or "sense organs" – ears, skin, eyes, tongue and nose. [2]
A sense is a biological system used by an organism for sensation, the process of gathering information about the surroundings through the detection of stimuli. Although, in some cultures, five human senses [1] were traditionally identified as such (namely sight, smell, touch, taste, and hearing), many more are now recognized. [2]
Sense organs are transducers that convert data from the outer physical world to the realm of the mind where people interpret the information, creating their perception of the world around them. [ 1 ] The receptive field is the area of the body or environment to which a receptor organ and receptor cells respond.
Synesthesia can occur between nearly any two senses or perceptual modes, and at least one synesthete, Solomon Shereshevsky, experienced synesthesia that linked all five senses. [17] Types of synesthesia are indicated by using the notation x → y , where x is the "inducer" or trigger experience, and y is the "concurrent" or additional experience.
Five senses refers to the five traditionally recognized methods of perception, or senses: taste, sight, touch, smell, and sound. Five senses or The Five Senses may also refer to: Five wits, a categorisation scheme originating in Shakespearean times; 5 Senses, a 1981 EP by XTC; Five Senses (Pentagon EP), 2016 EP by the South Korean male group ...
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
Sensory history is often written because of a significant lack of any examination of the sensory in a particular historical area previously. [12] This means that sensory historians can simply re-examine primary and secondary sources, with a lens for the sensory, in order to support their work. [1]
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