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In their original Greek version, Doric columns stood directly on the flat pavement (the stylobate) of a temple without a base. With a height only four to eight times their diameter, the columns were the most squat of all the classical orders; their vertical shafts were fluted with 20 parallel concave grooves, each rising to a sharp edge called an arris.
With a height that is only four to eight times its diameter, the columns are the most squat of all orders. The shaft of the Doric order is channeled with 20 flutes. The capital consists of a necking or annulet, which is a simple ring. The echinus is convex, or circular cushion like stone, and the abacus is a square slab of stone.
The classic solution chosen by Greek architects is the formula "frontal columns : side columns = n : (2n+1)", which can also be used for the number of intercolumniations. As a result, numerous temples of the Classical period in Greece ( c. 500 to 336) had 6 × 13 columns or 5 × 11 intercolumniations.
It had 20 columns on each side and a triple row at the porticos, 104 columns, (diameter: 1.9 metres diameter, height: 17 metres high)(6 ft 4 ins; 56 ft). Some of the columns were shipped to Rome before the temple was complete and used for the Temple of Jupiter Capitolinus where they had a profound effect on Roman architecture.
The columns of an early Doric temple such as the Temple of Apollo at Syracuse, Sicily, may have a height to base diameter ratio of only 4:1 and a column height to entablature ratio of 2:1, with relatively crude details. A column height to diameter of 6:1 became more usual, while the column height to entablature ratio at the Parthenon is about 3:1.
The tallest victory column in Constantinople was the Column of Theodosius, which no longer exists, with the height of its top above ground being c. 50 m. [25] The Column of Arcadius, whose 10.5 m base alone survives, was c. 46.1 m high. [26] The Column of Constantine may originally have been as high as 40 m above the pavement of the Forum. [27]
Proportion is a defining characteristic of the Corinthian order: the "coherent integration of dimensions and ratios in accordance with the principles of symmetria" are noted by Mark Wilson Jones, who finds that the ratio of total column height to column-shaft height is in a 6:5 ratio, so that, secondarily, the full height of column with capital ...
This standardization kept the fluting in a familiar proportion to the diameter of the column at any scale, even when the height of the column was exaggerated. Unlike Greek Doric fluting, which runs out to an arris or sharp edge, that was easily damaged by people brushing it as they passed by, Ionic fluting leaves a little flat-seeming surface ...