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Christ in the House of Martha and Mary by Tintoretto, 1570s. Jesus at the home of Martha and Mary, in art usually called Christ in the House of Martha and Mary, and other variant names, is a Biblical episode in the life of Jesus in the New Testament which appears only in Luke's Gospel (Luke 10:38–42), immediately after the Parable of the Good Samaritan (Luke 10:25–37). [1]
The painting illustrates Luke 10, verses 38–42 in the Bible, when Christ ate at the table of the sisters Martha and Mary. [2] In the scripture, Martha is doing all the work to serve as hostess to Jesus, while her sister sat with him. [2] She reproved Mary for sitting while she did all the work. [2]
Martha & Mary was closed, though the remaining nuns were able to remove over 200 icons and the "royal doors" from the cathedral by moving them to the Church of the Holy Protection. Shortly after this, the order was officially disbanded, and eighteen of the remaining nuns were exiled to Turkestan in Central Asia.
Typically, Mary, the elder sister, is preparing or serving food, while Martha is listening to Christ. However, it appears in some Ottonian cycles of the Life of Christ. Christ in the House of Martha and Mary, a 1618 oil-on-canvas painting by the Spanish painter Velázquez. Christ in the House of Martha and Mary, a 1655 painting by Johannes Vermeer.
Christ in the House of Martha and Mary is an episode in the Gospel of Luke. It may also refer to: Christ in the House of Martha and Mary, a painting by Diego Velázquez; Christ in the House of Martha and Mary, a painting by Johannes Vermeer; Christ at the home of Mary and Martha, a painting by Henry Ossawa Tanner
A Mary and Martha Society is a volunteer group associated with various Christian churches, each group being independent of the others. Even when the group appears in a hierarchical organization , for example the Roman Catholic Church , the group is only serving that particular church, not with the larger organization.
Christ in the House of Martha and Mary is an oil-on-canvas painting by the Spanish artist Diego Velázquez, dating to his Seville period, now in the National Gallery, London. It was probably painted in 1618 (it is dated, but the "8" is "fragmentary" and uncertain), [ 1 ] shortly after he completed his apprenticeship with Pacheco .
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