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A neighbor tone (NT) or auxiliary ... A neighboring tone that is a step higher than the surrounding chord tones is called an upper neighboring tone or an upper ...
Changing tones appear to resemble two consecutive neighbor tones; an upper neighbor and a lower neighbor with the chord tone missing from the middle. The changing tone functions as a way to decorate , or embellish , a chord tone and are also used to provide rhythmic interest between common tones.
Therefore, the violin line uses an upper neighbor tone while the piano line uses a lower neighbor tone. This is crucial for understanding Brahms's development of the thematic ideas of this movement. The violin melody is halting and primarily diatonic, played over an energetic piano accompaniment.
The transformation of a single chord into a horizontal succession (see Arpeggiation), either when a tone of the upper voice and one of the inner voice are interconnected, or when a similar connection takes place in a succession of several chords. [19] See Coupling. See also Schenkerian analysis: Unfolding. Urlinie. See Fundamental line ...
An appoggiatura (/ ə ˌ p ɒ dʒ ə ˈ tj ʊər ə / ə-POJ-ə-TURE-ə, Italian: [appoddʒaˈtuːra]; German: Vorschlag or Vorhalt; French: port de voix) is a musical ornament that consists of an added non-chord note in a melody that is resolved to the regular note of the chord.
The initial note of the fundamental line is called its "head tone" (Kopfton) or "primary tone". The head note may be elaborated by an upper neighbour note, but not a lower one. [ 26 ] In many cases, the head note is reached through an ascending line ( Anstieg , "initial ascent") or an ascending arpeggiation, which do not belong to the ...
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Upper-fifth divider. [5] Play ⓘ The upper [...] fifth of a chord, presenting itself by leap in the service of a passing motion or neighbor note, I call an upper-fifth divider [6] In the case of the Ursatz, the upper-fifth divider is in the service of in the Urlinie. Together, they may form the germ of a dominant chord at a later level.