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Sonnets 153 and 154 are filled with rather bawdy double entendres of sex followed by contraction of a venereal disease. [2] The sonnet is a story of Cupid, who lays down his torch and falls asleep, only to have it stolen by Diana, who extinguishes it in a "cold valley-fountain."
Continuing on with the theme of the "Dark Lady", sonnet 154 embodies the struggle that accompanies unrequited love. Critics like Mathias Koch and Eva Sammel agree that the use of the "Dark Lady" serves as the cyclical theme of love realized and love lost. Shakespeare also places the statement that there is a "futility of fighting against ...
Sonnet 53 is an English or Shakespearean sonnet.The Shakespearean sonnet contains three quatrains followed by a final rhyming couplet.It follows the typical rhyme scheme of this form, abab cdcd efef gg and is composed in a type of poetic metre called iambic pentameter based on five pairs of metrically weak/strong syllabic positions.
Shakespearean tragedy is the designation given to most tragedies written by playwright William Shakespeare. Many of his history plays share the qualifiers of a Shakespearean tragedy, but because they are based on real figures throughout the history of England , they were classified as "histories" in the First Folio .
Title page of the second edition of The Passionate Pilgrim (1599), from a copy in the Huntington Library. The Passionate Pilgrim (1599) is an anthology of 20 poems collected and published by William Jaggard that were attributed to "W. Shakespeare" on the title page, only five of which are considered authentically Shakespearean.
Sonnet 125 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form abab cdcd efef gg, although (as discussed below) in this case the f rhymes repeat the sound of the a rhymes.
"I think I was only there the first day. Maybe I made it to day two," she added. "We did the read-throughs and they staged it, and then they're like, we better get somebody else."
Sonnet 128,like Sonnet 8, suggests the octave of the scale as well as, in the case of 128 the 12 notes on the keyboard inside each octave (an association first recognized and described in detail by Fred Blick, in "Shakespeare's Musical Sonnets, Numbers 8, 128 and Pythagoras", 'The Upstart Crow, A Shakespeare Journal', Vol. XIX, (1999) 152–168.)