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Mars Attacks! is a 1996 American science fiction black comedy film [2] directed by Tim Burton, who also co-produced it with Larry J. Franco. The screenplay by Jonathan Gems was based on the Topps trading card series of the same name .
Love, Lust, Faith and Dreams is a concept album revolving around the themes after which the album is named. The album is divided into four segments, each named Love, Lust, Faith and Dreams, respectively, with the beginning of each segment declared by a female voice proclaiming the name of the segment before the beginning of a song or at the end of an interlude which introduces the next segment ...
A second series of trading cards, Mars Attacks: Occupation, also featuring a second reboot series of 81 trading cards that picked up where Mars Attacks: Invasion left off (Mars Attacks: Occupation (cards #1–45) with new artwork cards (divided into "Art of Mars Attacks" (cards #46–63), "Factions" (cards #64–72), "Occupation Profiles ...
Len Brown (born October 7, 1941) is an American writer, editor, radio personality and comic book scripter, best known as the co-creator of T.H.U.N.D.E.R. Agents and Mars Attacks. [1] [2] Born in Brooklyn, Brown began working in the Product Development Department of Topps Chewing Gum shortly after he graduated from high school.
"Attack" is a song by American rock band Thirty Seconds to Mars. The song was released by Immortal and Virgin on May 3, 2005, as the lead single from the band's second album, A Beautiful Lie. The song was written by Jared Leto and was produced by Josh Abraham and 30 Seconds to Mars. The song is a dynamic expression of rebirth and renewal.
Jackson had written “Where Were You” as a way to process his own grief after the 9/11 attacks, although he found it difficult to express his emotions right away.
Simple English; Suomi; Svenska; ... (Thirty Seconds to Mars song ... a song from the System of a Down album Hypnotize, 2005 "Attack", a song from the Joe Satriani ...
These songs contain some of the singer-songwriter’s most biting lyrics, the kind that twist the emotional knife into anyone’s heart. Swift’s eleventh studio album is no different.