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The second room having the twelve apostles and prophets holding inscribed scrolls with prophecies of the Savior. Inside the third room, are the seven Liberal Arts represented as women. The fifth room has scenes of the Annunciation , Nativity , Adoration of the Magi , Resurrection , Ascension , Pentecost , and Assumption of the Virgin Mary , all ...
Sometimes Christians deliberately used pagan iconography in conscious effort to show Jesus as superior to the pagan gods. [136] In classical iconography, the god Hermes was sometimes shown as a kriophoros, a handsome, beardless youth bearing a ram or sheep over his shoulders. [137]
The lower church was consecrated to the Saviour's Transfiguration in 1997, and the completed Cathedral of Christ the Saviour was consecrated on the Transfiguration Day, 19 August 2000. The central dome of the cathedral. Below the new church is a large hall for church assemblies.
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[94] The Head of Christ is venerated in the Coptic Orthodox Church, [95] after twelve-year-old Isaac Ayoub, who diagnosed with cancer, saw the eyes of Jesus in the painting shedding tears; Fr. Ishaq Soliman of St. Mark's Coptic Church in Houston, on the same day, "testified to the miracles" and on the next day, "Dr. Atef Rizkalla, the family ...
Christ Pantocrator of Saint Catherine's Monastery is one of the oldest Byzantine religious icons, dating from the 6th century AD. [1] The earliest known surviving depiction of Jesus Christ as Pantocrator (literally ruler of all ), it is regarded by historians and scholars among the most important and recognizable works in the study of Byzantine ...
Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
The mandorla represents the "luminuous cloud" and is another symbol of the Light. The luminous cloud, a sign of the Holy Spirit came down on the mountain at the time of the Transfiguration and also covered Christ. [12] The Byzantine iconography of the Transfiguration emphasized light and the manifestation of the glory of God.