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The following is a chronological list of classical music composers who lived in, worked in, were German citizens, or who grew up and made their careers in Germany This is a dynamic list and may never be able to satisfy particular standards for completeness.
This is a list of composers of 20th-century classical music, sortable by name, year of birth, year of death, nationality, notable works, and remarks. It includes only composers of significant fame and importance. The style of the composer's music is given where possible, bearing in mind that some defy simple classification.
20th-century German songwriters (1 C, 7 P) Pages in category "20th-century German composers" The following 200 pages are in this category, out of approximately 299 total.
In the early part of the 20th century, many composers wrote music which was an extension of 19th-century Romantic music, and traditional instrumental groupings such as the orchestra and string quartet remained the most typical. Traditional forms such as the symphony and concerto remained in use.
Pages in category "20th-century German classical composers" The following 200 pages are in this category, out of approximately 382 total. This list may not reflect recent changes .
Schütz is said to be the first great German composer before Johann Sebastian Bach, and was a major figure in 17th-century music. In the 19th century, two figures were paramount in German opera: Carl Maria von Weber and Richard Wagner. Wagner introduced devices like the Leitmotiv, a musical theme which recurs for important characters or ideas.
Korngold's score was a splendid added dimension. His style for the Flynn swashbucklers resembled that of the creators of late nineteenth-century and early twentieth-century German symphonic tone poems. It incorporated chromatic harmonies, lush instrumental effects, passionate climaxes—all performed in a generally romantic manner.
In the 20th-century, German organ music was strongly influenced by the neo-Baroque movement. A revival of interest in Baroque forms and performance practices led to a rejection of the complexity and Romanticism of Liszt and Reger. Important composers of this period are Hugo Distler and Paul Hindemith. Hindemith is widely known for his three ...