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IV M7 –V 7 –iii 7 –vi chord progression in C. Play ⓘ One potential way to resolve the chord progression using the tonic chord: ii–V 7 –I. Play ⓘ. The Royal Road progression (王道進行, ōdō shinkō), also known as the IV M7 –V 7 –iii 7 –vi progression or koakuma chord progression (小悪魔コード進行, koakuma kōdo shinkō), [1] is a common chord progression within ...
Djaoeh Dimata was released in late 1948, the first domestic feature film since Berdjoang. [20] Despite this five-year gap, film critic Usmar Ismail writes that it did not stray from the formula which had been proven before the war, [21] one which Indonesian film historian Misbach Yusa Biran notes focused on songs, beautiful scenery and romance ...
Funk also uses altered extended chords, but in this genre, pieces are usually based on a vamp on a single chord, because rhythm and groove are the key elements of the style. When extended chords are voiced in jazz or jazz fusion, the root and fifth are often omitted from the chord voicing, because the root is played by the bass player. [20]
Tombstone is a 1993 American Western film directed by George P. Cosmatos, written by Kevin Jarre (who was also the original director, but was replaced early in production [4]), and starring Kurt Russell and Val Kilmer, with Sam Elliott, Bill Paxton, Powers Boothe, Michael Biehn, and Dana Delany in supporting roles, and narration by Robert Mitchum.
Pa Tepaeru Terito was an only child, born on 14 August 1923. Her father died four months later. Her mother then remarried. [3] She was raised and educated by her great paternal uncle, Makea'nui Tinirau Teremoana Ariki, head of the Makea Nui Ariki, and his wife Tutini.
Pontianak [a], also known as Khuntien in Hakka, is the capital of the Indonesian province of West Kalimantan, founded first as a trading port on the island of Borneo, occupying an area of 118.21 km 2 in the delta of the Kapuas River, at a point where it is joined by its major tributary, the Landak River.
The lyrics of the song as written by P. Ramlee describe the gloomy days and feeling of unhappiness and despair. In the song he wrote "Hancur musnah impian mulia" ("Noble dreams are shattered"), "Gelaplah pasti masa hadapan" ("The future is certainly dark"), "Zahirku hidup hai batinku mati" (My appearance is alive but my mind is dead"), and "Remuk redam hatiku hancur" (My heart is crushed). [3]