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A nonchord tone (NCT), nonharmonic tone, or embellishing tone is a note in a piece of music or song that is not part of the implied or expressed chord set out by the harmonic framework. In contrast, a chord tone is a note that is a part of the functional chord.
Changing tones. In music, changing tones (also called double neighboring tones and neighbor group) consists of two consecutive non-chord tones. [1] [2] The first moves in one direction by a step from a chord tone, then skips by a third in the opposite direction to another non-chord tone, and then finally resolves back to the original chord tone.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
In music theory, a leading tone (also called subsemitone or leading note in the UK) is a note or pitch which resolves or "leads" to a note one semitone higher or lower, being a lower and upper leading tone, respectively. Typically, the leading tone refers to the seventh scale degree of a major scale (), a major seventh above the tonic.
Upper-fifth divider. [5] Play ⓘ The upper [...] fifth of a chord, presenting itself by leap in the service of a passing motion or neighbor note, I call an upper-fifth divider [6] In the case of the Ursatz, the upper-fifth divider is in the service of in the Urlinie. Together, they may form the germ of a dominant chord at a later level.
The initial note of the fundamental line is called its "head tone" (Kopfton) or "primary tone". The head note may be elaborated by an upper neighbour note, but not a lower one. [ 26 ] In many cases, the head note is reached through an ascending line ( Anstieg , "initial ascent") or an ascending arpeggiation, which do not belong to the ...
The first tone of the Fundamental line. One of the three notes of the tonic triad, , or . See Schenkerian analysis:The fundamental line. Prolongation (German: Auskomponierung), Composing-out, Elaboration. The process in tonal music through which a pitch, interval, or consonant triad is able to govern spans of music when not physically sounding.