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The painting illustrates Luke 10, verses 38–42 in the Bible, when Christ ate at the table of the sisters Martha and Mary. [2] In the scripture, Martha is doing all the work to serve as hostess to Jesus, while her sister sat with him. [2] She reproved Mary for sitting while she did all the work. [2]
Christ in the House of Martha and Mary by Tintoretto, 1570s. Jesus at the home of Martha and Mary, in art usually called Christ in the House of Martha and Mary, and other variant names, is a Biblical episode in the life of Jesus in the New Testament which appears only in Luke's Gospel (Luke 10:38–42), immediately after the Parable of the Good Samaritan (Luke 10:25–37). [1]
Mary of Bethany [a] is a biblical figure mentioned by name in the Gospel of John and probably the Gospel of Luke in the Christian New Testament.Together with her siblings Lazarus and Martha, she is described as living in the village of Bethany, a small village in Judaea to the south of the Mount of Olives near Jerusalem.
Typically, Mary, the elder sister, is preparing or serving food, while Martha is listening to Christ. However, it appears in some Ottonian cycles of the Life of Christ. Christ in the House of Martha and Mary, a 1618 oil-on-canvas painting by the Spanish painter Velázquez. Christ in the House of Martha and Mary, a 1655 painting by Johannes Vermeer.
Martha on the Mantle is flexible enough to sit in various positions. Place her on your desk to bask in the holiday spirit while you work or on your bookshelf next to your collection of Martha's ...
At the May 6 coronation, King Charles III's throne will have the Stone of Destiny, also known as the Stone of Scone, placed underneath it.
Diamonds, sapphires, emeralds, and rubies are sure to make dazzling appearances at the coronation of King Charles III this weekend, but a far more precious rock will also play an important, if ...
Christ in the House of Martha and Mary is an oil-on-canvas painting by the Spanish artist Diego Velázquez, dating to his Seville period, now in the National Gallery, London. It was probably painted in 1618 (it is dated, but the "8" is "fragmentary" and uncertain), [ 1 ] shortly after he completed his apprenticeship with Pacheco .