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Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BC, now in the Munich State Collection of Antiquities.. Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases.
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Their use in Ancient Greek agriculture was described by Hesiod. [6] In northern Europe the single-handled crook ard was favored, consisting of a stilt inserted into a pole with a crook-shaft, i.e., the pole had a curved shape and had a natural crook tip that served as a share.
A Handbook of Greek Vase Painting. Sparks, NV: Falcon Hill Press, 1995. Mitchell, Alexandre G. Greek Vase-Painting and the Origins of Visual Humour. New York: Cambridge University Press, 2009. Noble, Joseph Veach. The Techniques of Painted Attic Pottery. New York: Watson-Guptill, 1965. Oakley, John Howard. The Greek Vase: Art of the Storyteller ...
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White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica , dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main ...
Exekias (Ancient Greek: Ἐξηκίας, Exēkías) was an ancient Greek vase painter and potter who was active in Athens between roughly 545 BC and 530 BC. [1] Exekias worked mainly in the black-figure technique, which involved the painting of scenes using a clay slip that fired to black, with details created through incision.
Philomelus (/ ˌ f ɪ l ə ˈ m iː l ə s /; Greek: Φιλόμηλος, romanized: Philómēlos), Philomêlos or Philomenus / f ɪ ˈ l ɒ m ɪ n ə s / was a minor Greek demi-god, patron of husbandry, tillage/ploughing and agriculture. His name means 'friend of ease' from philos and mêlos.