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A passing tone (PT) or passing note is a nonchord tone prepared by a chord tone a step above or below it and resolved by continuing in the same direction stepwise to the next chord tone (which is either part of the same chord or of the next chord in the harmonic progression).
Changing tones. In music, changing tones (also called double neighboring tones and neighbor group) consists of two consecutive non-chord tones. [1] [2] The first moves in one direction by a step from a chord tone, then skips by a third in the opposite direction to another non-chord tone, and then finally resolves back to the original chord tone.
This is a glossary of Schenkerian analysis, a method of musical analysis of tonal music based on the theories of Heinrich Schenker (1868–1935). The method is discussed in the concerned article and no attempt is made here to summarize it. Similarly, the entries below whenever possible link to other articles where the concepts are described ...
The minimal fundamental structure. Primary tone: . Play ⓘ. In Schenkerian analysis, the primary tone or head tone (German: Kopfton) is the starting tone of the fundamental line. The fundamental line itself originates as an arpeggiation of the tonic chord, filled by passing tones:
If the generative tone is inharmonic, like a bell-like sound, the interval structure is still recognizable as displacements of a tone spectrum, whose pitch can be even undetectable. This optimal representation-based definition of a chord explains, among other things, the predominance of interval hearing over the absolute pitch hearing.
Psychoacoustics is the branch of psychophysics involving the scientific study of the perception of sound by the human auditory system.It is the branch of science studying the psychological responses associated with sound including noise, speech, and music.
Example of a double passing tone in which the two middle notes are a dissonant interval from the cantus firmus, a fourth and a diminished fifth Example of a descending double neighbor figure against a cantus firmus Example of an ascending double neighbor figure (with an interesting tritone leap at the end) against a cantus firmus
The Levitin effect is a phenomenon whereby people, even those without musical training, tend to remember songs in the correct key.The finding stands in contrast to the large body of laboratory literature suggesting that such details of perceptual experience are lost during the process of memory encoding, so that people would remember melodies with relative pitch, rather than absolute pitch.