Search results
Results From The WOW.Com Content Network
Pseudorealism, also spelled pseudo-realism, is a term used in a variety of discourses connoting artistic and dramatic techniques, or work of art, film and literature perceived as superficial, not-real, or non-realistic. [1]
The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. [1]
For premium support please call: 800-290-4726 more ways to reach us
In psychology of art, the relationship between art and emotion has newly been the subject of extensive study thanks to the intervention of esteemed art historian Alexander Nemerov. Emotional or aesthetic responses to art have previously been viewed as basic stimulus response, but new theories and research have suggested that these experiences ...
In practice, perceptual art may be interpreted as the engagement of multi-sensory experiential stimuli combined with the multiplicity of interpretive meanings on the part of an observer. Sometimes, the role of observer is obscured as members of the public may unwittingly or unknowingly be participants in the creation of the artwork itself.
Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia , installation art , conceptual art and multimedia , particularly involving video are described as postmodern .
Realism is widely regarded as the beginning of the modern art movement due to the push to incorporate modern life and art together. [2] Classical idealism and Romantic emotionalism and drama were avoided equally, and often sordid or untidy elements of subjects were not smoothed over or omitted.
Nouveau réalisme (French for "new realism") is an artistic movement founded in 1960 by the art critic Pierre Restany [1] and the painter Yves Klein during the first collective exposition in the Apollinaire gallery in Milan. Restany wrote the original manifesto for the group, titled the "Constitutive Declaration of New Realism," in April 1960 ...