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In January 1948, John A. Jenson published the first edition of the Othello Progress News. [3] In 1951, G. W. Crisman, president of the Leader Publishing company, announced the paper had been sold to Warren Baslee, with Bruce A. Wilson acquiring an interest. [4] At that time the paper's name was changed to the Othello Outlook. [5]
Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
Iago (/ i ˈ ɑː ɡ oʊ /) is a fictional character in Shakespeare's Othello (c. 1601–1604). Iago is the play's main antagonist, and Othello's standard-bearer.He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona.
Desdemona (/ ˌ d ɛ z d ə ˈ m oʊ n ə /) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy.
The following list labels some of these stereotypes and provides examples. Some character archetypes , the more universal foundations of fictional characters, are also listed. Some characters that were first introduced as fully fleshed-out characters become subsequently used as stock characters in other works (e.g., the Ebenezer Scrooge ...
In the 1990s, Ekman proposed an expanded list of basic emotions, including a range of positive and negative emotions that are not all encoded in facial muscles. [38] The newly included emotions are: amusement , contempt , contentment , embarrassment , excitement, guilt , pride in achievement, relief , satisfaction, sensory pleasure, and shame.
The phrase "Othello error" was first used in the book Telling Lies by Paul Ekman in 1985. [4] The name was coined from Shakespeare's play Othello , which provides an "excellent and famous example" [ 1 ] of what can happen when fear and distress upon confrontation do not signal deception.
Desdemona encounters Iago carrying buckets of filth, and Iago stirs jealousy in her. Desdemona believes Iago's claims that Constance is a witch who is after Othello's heart, and she resolves to kill her! Desdemona sees Othello give Constance a necklace, and her suspicions increase. Constance muses about what a strong woman Desdemona is.