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Biblical references of Every Grain of Sand include: Cain's "chain of events" - Genesis 4: 1-16 Abraham's seed as sand on the seashore - Genesis 22: 15-18 God's thoughts "more in number than the sand" - Psalm 139: 17-18 The Parable of the Sower - (newborn seed, flowers of indulgence, weeds of yesterday, choked) Mark 4: 13-20 Be of Good Cheer -Mark 6: 47-51 Sparrows/hairs numbered - Matthew 10: ...
Footprints in the sand "Footprints," also known as "Footprints in the Sand," is a popular modern allegorical Christian poem. It describes a person who sees two pairs of footprints in the sand, one of which belonged to God and another to themselves. At some points the two pairs of footprints dwindle to one; it is explained that this is where God ...
"A Walk to Caesarea" (Hebrew: הליכה לקיסריה, Halikha LeKeisarya), also commonly known by the opening words "Eli, Eli" (Hebrew: אֵלִי, אֵלִי, "My God, My God") in the song version, is a poem in Hebrew written in 1942 by Hungarian Jewish WWII resistance fighter Hannah Szenes, [1] which Israeli composer David Zehavi set to ...
"How Great Thou Art" is a Christian hymn based on an original Swedish hymn entitled "O Store Gud" written in 1885 by Carl Boberg (1859–1940). The English version of the hymn and its title are a loose translation by the English missionary Stuart K. Hine from 1949.
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Dear Friends and Gentle Hearts is the fifth studio album by Oakland punk band American Steel, released on Fat Wreck Chords on July 21, 2009. [3] The title references a phrase found written on a scrap of paper found in Stephen Foster's pocket after his death.
Sacred Steel is a musical style and African-American gospel tradition that features the steel guitar as part of religious services. The style developed in a group of related Pentecostal churches in the 1930s, and is associated in particular with some branches of the Church of the Living God.
The prominent chords played by the string section throughout the song (and in the chorus of "Rainy Day", another of the band's songs) are very similar to those used by "Viva la Vida" co-producer Brian Eno in his piece "An Ending (Ascent)", meaning they could have been suggested partially for the song by Eno.