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In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A gametangium (pl.: gametangia) is a sex organ or cell in which gametes are produced that is found in many multicellular protists, algae, fungi, and the gametophytes of plants. In contrast to gametogenesis in animals , a gametangium is a haploid structure and formation of gametes does not involve meiosis .
An example of moss (Bryophyta) on the forest floor in Broken Bow, Oklahoma. Bryophytes (/ ˈ b r aɪ. ə ˌ f aɪ t s /) [2] are a group of land plants (embryophytes), sometimes treated as a taxonomic division, that contains three groups of non-vascular land plants: the liverworts, hornworts, and mosses (Bryophyta sensu lato). [3]
An example are the Impromptus (Op. 7) by Jan Voříšek. [ 9 ] Expanded ternary forms are especially common among Romantic-era composers ; for example, Chopin's "Military" Polonaise (Op. 40, No. 1) is in the form [(A–A–B–A-B–A) (C–C–D–C-D–C) (A–B–A)] , where the A and B sections and C and D sections are repeated as a group ...
A musical cryptogram is a cryptogrammatic sequence of musical symbols which can be taken to refer to an extra-musical text by some 'logical' relationship, usually between note names and letters. The most common and best known examples result from composers using musically translated versions of their own or their friends' names (or initials) as ...
Slonimsky himself, making fun of the definition, quoted a professor calling pandiatonicism "C-major that sounds like hell". [17] Examples of pandiatonicism include the harmonies Aaron Copland used in his populist work, Appalachian Spring, [18] and the minimalist music by Steve Reich, Philip Glass, and the later works of John Adams.
The Romanesca originated from the 16th and 17th centuries as a common musical backdrop in a minor key for singing poetry as well as the basis for variations over a repeating harmonic progression. [4] The later Romanesca is a similar progression and features three variants: the leaping variant, the stepwise variant, and the galant variant, a ...