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The synthesizer built into the Roland MC-303 is a rompler which contains sounds largely drawn from classic Roland synths and drum machines such as the TB-303, TR-808 and TR-909 along with the Juno series and various other dance themed sounds such as pads, pianos, strings and vinyl scratches.
The term "Groovebox" was originally used by Roland Corporation to refer to its MC-303, released in 1996. [2] The term has since entered general use, [3] and the concept dates back to the Movement Computer Systems Drum Computer in 1981 and Fairlight CMI Page R in 1982. A groovebox consists of three integrated elements.
The first edition was published in 2000 by McIntosh Engineering, a mining engineering consulting company. [2] It is currently in its third printing, is used by thousands of people in the mining industry, including students, professors, miners, engineers and mining executives as a source of practical mining information, [ 3 ] as well as " Rules ...
McIntosh & Seymour was an American manufacturer of steam and internal combustion engines during the late 19th and early 20th centuries. McIntosh & Seymour engine in use with the US Navy in the 1930s. The company was founded in 1886, and was based in Auburn, New York . [ 1 ]
The Roland MC-505 is a groovebox conceived in 1998 as a combination of a MIDI controller, a music sequencer, a drum machine, and a desktop synthesizer with many synthesis features: arpeggiator, oscillators, and voltage-controlled filter, control of attack, decay, sustain and release, different envelopes and 2 Lfo.
The McIntosh MC-2300 is a solid-state power amplifier which was built by the American high-end audio company McIntosh Laboratory between 1971 and 1980. [1] Jerry Garcia in 1987 with an MC-2300 in the lower-right corner of the picture. McIntosh produced the MC-2105 (with blue meters) and the MC-2100 (without) between 1969 and 1977.
The Roland TB-303 Bass Line (also known as the 303) is a bass synthesizer released by Roland Corporation in 1981. Designed to simulate bass guitars, it was a commercial failure and was discontinued in 1984.
Schematic drawing of the Grateful Dead's wall of sound. Stanley and Dan Healy and Mark Raizene of the Grateful Dead's sound crew, in collaboration with Ron Wickersham, Rick Turner, and John Curl of Alembic designed the sound reinforcement system in an effort to deliver high-quality sound to attendees of Grateful Dead concerts, which were drawing crowds of 100,000 or more at the time.