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Tilt–shift and perspective-control lenses are available for many SLR cameras, but most are far more expensive than comparable lenses without movements. The Lensbaby SLR lens is a low-cost alternative for providing tilt and swing for many SLR cameras, although the effect is somewhat different from that of the lenses just described.
Thus any focal length lens mounted on a view camera or field camera, and many press cameras can be used with perspective control. Some interchangeable lens medium format, 35 mm film SLR, and Digital SLR camera systems have PC, shift, or tilt/shift lens options which allow perspective control and, in the case of a tilt/shift lens, plane of focus ...
Tilting the lens results in a wedge-shaped depth of field that may be a better fit to some scenes than the depth of field between two parallel planes that results without tilt. Unlike most view cameras, the shift mechanism allows shifts along only one axis, and the tilt mechanism allows tilts about only one axis; however, the rotation of the ...
The Nikon PC-E Nikkor 24mm f/3.5D ED Lens is a tilt-shift, wide-angle prime lens that provides the equivalent of the corresponding view camera front movements on Nikon F-mount camera bodies. Its ultra-wide perspective control features tilt, shift and rotation capability, well-suited for architectural and nature photography. [2] [3]
Tilt and swing are movements available on most view cameras, often on both the front and rear standards, and on some small- and medium format cameras using special lenses that partially emulate view-camera movements. Such lenses are often called tilt-shift or "perspective control" lenses.
The tilt and shift functions cannot be independently rotated. The lens is supplied with these functions at 90° to each other (e.g., providing tilt and lateral shift); they can be changed to work in the same directions (e.g., providing tilt and rise/fall) by removing four screws, rotating the front of the lens 90°, and reinstalling the screws.
Rise is a very important movement especially in architectural photography. Generally, the lens is moved vertically—either up or down—along the lens plane to change the portion of the image captured on the film. In the 35 mm format, special shift lenses (sometimes called perspective control lenses) emulate the rise or fall of view cameras.
Tilt–shift photography#Perspective-control lenses; Retrieved from " ...