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"O Fortuna" is a movement in Carl Orff's 1935–36 cantata Carmina Burana. It begins the opening and closing sections, both titled "Fortuna Imperatrix Mundi". The cantata is based on a medieval Goliardic poetry collection of the same name, from which the poem "O Fortuna" provides the words sung in the movement. It was well-received during its ...
It is a complaint about Fortuna, the inexorable fate that rules both gods and mortals in Roman mythology. In 1935–36, "O Fortuna" was set to music by German composer Carl Orff as a part of "Fortuna Imperatrix Mundi", the opening and closing movement of his cantata Carmina Burana. It was first staged by the Frankfurt Opera on 8 June 1937
Carmina Burana is a cantata composed in 1935 and 1936 by Carl Orff, based on 24 poems from the medieval collection Carmina Burana.Its full Latin title is Carmina Burana: Cantiones profanae cantoribus et choris cantandae comitantibus instrumentis atque imaginibus magicis ("Songs of Beuern: Secular songs for singers and choruses to be sung together with instruments and magical images").
The Wheel of Fortune from Carmina Burana. Carmina Burana (/ ˈ k ɑːr m ɪ n ə b ʊ ˈ r ɑː n ə /, Latin for "Songs from Benediktbeuern" [Buria in Latin]) is a manuscript of 254 [1] poems and dramatic texts mostly from the 11th or 12th century, although some are from the 13th century.
Carl Heinrich Maria Orff was born in Munich on 10 July 1895, the son of Paula Orff (née Köstler, 1872–1960) and Heinrich Orff (1869–1949). His family was Bavarian and was active in the Imperial German Army; his father was an army officer with strong musical interests, and his mother was a trained pianist.
Music composed by Carl Orff. Original Latin lyrics adopted to English (C) B. Schott's Söhne by permission of European American Music "Destiny: Ruler of the World – The Wheel of Fortune ()"
"O Fortuna" was first introduced to mainstream media in John Boorman's 1981 film Excalibur. It enjoyed tremendous popularity among the public following the movie's release and was for a time thereafter frequently incorporated into various cinematic and musical works for dramatic effect (a practice that has since become clichéd and consequently ...
The paces turns uncontrollably high and somewhat erratic before it stops with sounds of heavy breathing and segues into "Camera Obscura", where it immediately starts with a sample of "Modern Crusaders" with Michael Cretu on vocals, being reversed and sections of "O Fortuna" being followed up quickly. The pace and music then turns erratic and ...