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The traditional division of the works of Plato into tetralogies was done by Thrasyllus of Mendes. [6] The list includes works of doubtful authenticity (in italic), as well as the Letters. 1st tetralogy Euthyphro, Apology, Crito, Phaedo; 2nd tetralogy Cratylus, Theatetus, Sophist, Statesman; 3rd tetralogy Parmenides, Philebus, Symposium, Phaedrus
The following is a list of the speakers found in the dialogues traditionally ascribed to Plato, including extensively quoted, indirect and conjured speakers.Dialogues, as well as Platonic Epistles and Epigrams, in which these individuals appear dramatically but do not speak are listed separately.
The Phaedo presents a real challenge to commentators through the way that Plato oscillates between different conceptions of the soul. In the cyclical and Form-of-life arguments, for instance, the soul is presented as something connected with life, where, in particular in the final argument, this connection is spelled out concretely by means of ...
The view that life is self-motion and that the soul is a self-mover is used by Plato to guarantee the immortality of the soul, making this a novel argument for the soul's immortality not found in the Phaedo. [9] Plato relies, further, on the view that the soul is a mind in order to explain how its motions are possible: Plato combines the view ...
In the background the Acropolis of Athens is silhouetted against a fiery sky, and by Taylor's left hand is a copy of his translation of the works of Plato. [ 1 ] Thomas Taylor (15 May 1758 – 1 November 1835) was an English translator and Neoplatonist , the first to translate into English the complete works of Aristotle and of Plato , as well ...
Plato often invokes, particularly in his dialogues Phaedo, Republic and Phaedrus, poetic language to illustrate the mode in which the Forms are said to exist. Near the end of the Phaedo, for example, Plato describes the world of Forms as a pristine region of the physical universe located above the surface of the Earth (Phd. 109a–111c).