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Qawwali at Ajmer Sharif Dargah. Qawwali is a form of Sufi Islamic devotional singing originating in India.Originally performed at Sufi shrines or dargahs throughout The Indian subcontinent, [1] it is famous throughout Pakistan, India, Bangladesh and Afghanistan and has also gained mainstream popularity and an international audience as of the late 20th century.
A 25-minutes long qawwali "Haq Ali Ali" begins with a slow introduction and featuring long passages with echoing vocals over minimal instrumentation. This was followed by the more intense "Shahbaaz Qalandar", dedicated to the 13th-century Sufi saint , and "Biba Sada Dil Mor De", where Nusrat repeatedly sang, "Give me my heart back".
Often referred to as the "Shahenshah-e-Qawwali" (the King of Kings of Qawwali), [2] [3] he was named by The New York Times as the greatest qawwali singer of his generation, [4] and as the fourth greatest singer of all time by LA Weekly in 2016. [5] He was known for his vocal abilities and could perform at a high level of intensity for several ...
Qawwali is the best-known form of Sufi music and is most commonly found in the Sufi culture in South Asia. However, music is also central to the Sema ceremony of the whirling dervishes , which is set to a form of music called Ayin, a vocal and instrumental piece featuring Turkish classical instruments such as the ney (a reed flute).
Dama Dam Mast Qalandar (transl. Every Breath for the Ecstasy of Qalandar) [1] is a spiritual Sufi qawwali written in the honour of the most revered Sufi saint of Sindh, Lal Shahbaz Qalandar (1177–1274) of Sehwan Sharif.
He was born in 1915 and brought up in Aligarh. [1] [2] He started his profession as a billboard painter, hence he became known as "Habib Painter".Once Rais Mirza, a host of poetry-reading events (mushairas) saw him singing Qawwali, he brought him to Delhi and introduced him as a Qawwal.
Bahauddin Khan is descended from a family of musicians which traces its lineage back to the days of Amir Khusrow (the father of Qawwali) of the 13th century India. [2] To propagate Islam throughout South Asia, Amir Khusrow banded together twelve youngsters (12 Kids Band), and personally trained them in singing and performing Qawwali, a genre of devotional Sufi music. [2]
The song is a staple of most Qawwali sessions in North India and Pakistan, especially in the Chishti shrines of Delhi. It is traditionally sung as a closing piece at the end of a Qawwali session. The song is celebratory in tone and holds a prominent place in the landscape of Sufi music. The word "rang" or "rung" literally translates into "color."